Muse Literary Management
189 Waverly Place, #4
New York, NY  10014-3135
(212) 925-3721
MuseLiteraryMgmt@aol.comText Box: Query first, with one- to two-paragraph synopsis and description of your background.  Please mention your favorite authors.  Email queries preferred, with no attachments.  Unsolicited manuscripts will be returned unopened.  Multiple submissions ok.
NOTE:  If I don’t respond within two weeks, please try again.
As an independent literary agent, Deborah Carter focuses on manuscript development, the sale & administration of print, performance & foreign rights to literary works, and post-publication publicity and appearances. 

Looking for fiction for adults and children and narrative nonfiction in areas of interest below (also see Bookshelf page).

Actively seeking writers with formal training who bring compelling voices and a unique outlook to their manuscripts.  Those who submit should be receptive to editorial feedback and willing to revise during the submission process to remain competitive.  Writers are encouraged to read Publishers Weekly and take the marketplace into consideration as they conceive their projects.  Most clients are found at industry events and NYC readings.Areas of interest:
· literary novels and short story and poetry collections with popular appeal
· mysteries/thrillers/suspense novels that offer something unique to their category
· nonfiction (music and the arts) and narrative nonfiction
· children's fiction/nonfiction (no copycats or gross books)

Exclusions: manuscripts that have been worked over by book doctors (collaborative projects ok, but writers must have chops); category romance, chick lit, sci fi, fantasy; horror; stories about cats and dogs, vampires, serial killers or dentists; fiction or nonfiction with religious or spiritual subject matter.
One-year contract offered when writer and agent agree that the manuscript is ready for submission; manuscripts in development are not bound by contract.  Commission is standard 15% domestic, 20% foreign and subrights.  No reading or editorial fees.  All expenses (postage and photocopying, if any) are pre-approved by the client. Although not a member of the Association of Authors’ Representatives, the agency follows the AAR’s recommended business practices. 
Listed in the Literary Market Place, Writers’ & Artists’ Yearbook, Writer’s Digest guides and Children’s Literature Network.
Associations:  NAWE, International Thriller Writers, Historical Novel Society, Association of Booksellers for Children, Children’s Literature Association, American Folklore Society, The Authors Guild and National Writers Union
Prior to starting her agency in 1998, Ms. Carter trained with an AAR literary agent, and worked in the music business in A&R and artist management.  She holds a BA in English and music from Washington Square University College at NYU.

See my article on original vs. derivative books “Do You Dare to Be the Next New Thing?” in Children’s Writer.
See “Hiring a Book Doctor” in Meredith Sue Willis’s Books for Readers newsletter.Text Box: Upcoming Conferences

 

Jan 21, 2012  -  Writer’s Digest Pitch Slam, NYC

 

Jul 2012  -  Thrillerfest, NYC

 

Aug 2012  -  SEAK, Hyannis, MA

One-year contract offered when writer and agent agree that the manuscript is ready for submission; manuscripts in development are not bound by contract.  Commission is standard 15% domestic, 20% foreign and subrights.  No reading or editorial fees.  All expenses (postage and photocopying, if any) are pre-approved by the client. Although not a member of the Association of Authors’ Representatives, the agency follows the AAR’s recommended business practices.

Listed in the Literary Market Place, Writers’ & Artists’ Yearbook, Writer’s Digest guides and Children’s Literature Network.

Associations:  AWP, NAWE, Biographers International Organization, Historical Novel Society, Association of Booksellers for Children, Children’s Literature Association, Women in Music, International Thriller Writers, The Authors Guild

Prior to starting her agency in 1998, Ms. Carter trained with an AAR literary agent, and worked in the music business in A&R and artist management.  She holds a BA in English and music from College of Arts and Science at NYU.

 

Articles:

Writer’s Digest Pitch Slam” at The Gatekeeper’s Post

Do You Dare to Be the Next New Thing? in Children’s Writer

Hiring a Book Doctor in Meredith Sue Willis’s Books for Readers newsletter

New pages on Twitter, Facebook and DenimNYC, a blog related to a fashion books project

 

Areas of interest

· Literary novels and short story and poetry collections with popular appeal

· Multicultural and international fiction that’s relatable to American readers

· Mysteries/thrillers/suspense novels

. Historical fiction

· Nonfiction (music and the arts, fashion, NYC, US or European history) and narrative nonfiction (special call for stories about change of life and second homes)

· Children's and teen multicultural fiction, mysteries & thrillers, historical fiction, animal stories, fantasy grounded in reality, narrative and serious nonfiction.  Special projects: Looking for writers with experience as exchange students for a new middle grade series about high school students in study abroad programs.  Note to picture book writers: Will only consider writers who have at least three complete manuscripts and  who’ve taken workshops in writing for young children.

 

Exclusions: category romance, chick lit, sci fi, high fantasy, folktales, horror, religious/spiritual fiction and nonfiction, stories about serial killers, pets, suffering, or anything derivative or trite.

As an independent literary agent, Deborah Carter focuses on manuscript development, the sale & administration of print, performance & foreign rights to literary works, and post-publication publicity and appearances.

 

Looking for fiction and nonfiction for adults and children in areas of interest below.

 

Actively seeking writers with formal training (MFA or workshops) who bring compelling voices and a unique outlook to their manuscripts.  Those who submit should be receptive to editorial feedback and willing to revise during the submission process.  Writers are encouraged to read Publishers Weekly and take bookselling categories and competitive titles into consideration as they conceive their projects.  Most clients are found at industry events and NYC readings.

Query first, with one- to two-paragraph synopsis and description of your background and favorite authors.  Email queries preferred, with no attachments.  In the subject line of your email please write Q: followed by a description of your book.  Unsolicited manuscripts will be returned unopened.  Multiple submissions ok.

NOTE:  If I don’t respond within two weeks, please try again.

Text Box:

Winner - Aesop Accolade,

American Folklore Society 2009 and Delaware Diamond Award, grades 3-5, 2010

NEWS: Sold in China